,
(add to basket)
,
(add to basket)
,
(add to basket)
0 items | £0   view basket
stop revolving images
Home Search for Art My Gallery Buy it Tips/Help Contact us
Abstract grid structure 8067 An abstract grid in bright primary colours surrounded by a circle of ovoid shapes... Buy  original affordable art online
Abstract grid structure
Toby Horne Shepherd

approx. exposed area of image inside frame
23in h x 18in w
Screen print on paper

£320 framed

Item number 8067

An abstract grid in bright primary colours surrounded by a circle of ovoid shapes

This screen print has been built up using a series of different coloured inks and paint with each colour being laid over the previous to form a picture. As the paints are laid down they change colour and form where they overlap creating new textures. Areas not being worked on are blocked out by stencils. Here it is easily seen how the application of a colour has a profound effect on the underlying one changing its nature dramatically

Click for a copy of this picture formatted to print on your printer Click here to Magnify  the picture above
  click the zoom button to see magnified an area of the picture centred on your cursor. Move your cursor over the full view of the picture to change the area magnified
Click here to take this picture to the framing/mounting area
Click here to take this picture to a  room setting that you can design like your own lounge/bedroom
To buy a picture.  If you change your mind, remove  picture from shopping basket
If you have registered, click here to save  this picture
Click here to enter e-mail address of someone to whom you would like to show this view of this picture

About the artist

Born: 1909

Died: 1993

Born in Dundee and educated at Harris Academy, he attended the Dundee School of Art from 1924-1926 and then Glasgow School of Art where, in 1927, he won a travelling scholarship and prizes for portrait and landscape.   In 1929 he took the Painting Diploma, winning a post-diploma scholarship, and became Assistant Art Teacher at Glasgow School of Art 1930-1932.
He was also executing medical diagrams at about this time for the Glasgow Royal Infirmary
 A series of portrait commissions brought him down to London in 1933, and he subsequently referred to these years as the most unsatisfactory period of his artistic life.  He became a lecturer at Shoreditch Training College from 1937 until he joined the National Fire Service in 1941.  In 1943 he was drafted by the Ministry of Labour to Napiers Aircraft Factory in Acton where he worked as a technical assistant, aero-engine tester and draughtsman, returning to Shoreditch in 1945 to resume his duties.   He was appointed Senior Art Lecturer in 1947 and remained at Shoreditch until 1954.   Thereafter he had a number of part-time teaching posts, including Ealing School of Art, St Martin’s School of Art and the Sir John Cass School of Art.    He retired in 1974, somewhat reluctantly as he had always enjoyed teaching - and was indeed an inspiring teacher with an unrivalled ability to bring out the best in his students.  He was also happy to be a student himself in later life, attending sculpture classes for some years; his stone and marble carvings display his superb feeling for form

 His remaining years were spent in West Sussex producing, as always, an amazing amount of work, but now mainly water-colours, drawings, monoprints etc. rather than oil paintings.   He was an exceptionally fine figure draughtsman, and this is apparent even in his more abstract and adventurous work.   He also enjoyed still-life subjects and there are many examples of these in virtually every medium, including lithographs, screen-prints and monoprints etc.  

1930 and 1931 McClure Gallery, Glasgow, Scotland; 1932 Dundee, Scotland; 1932-33 Glasgow, Scotland; 1933 Whyte’s Gallery, Washington USA; 1939 Contemporary Scottish Art, Washington USA; 1954 Via Lima, Rome; 1955 Babuinetta Gallery, Rome; 1958 Everyman Foyer Gallery, Hampstead, London; 1959 Babuinetta Gallery, Rome (April and October); 1960 Everyman Foyer Gallery, Hampstead, London; 1961 Richmond Hill Gallery; 1961 Monseigneur, Marble Arch, London; 1961 Hyde Park Gallery; 1962 Everyman Foyer Gallery; 1963 New End Gallery, Hampstead, London; Boston & New York USA; 1972 Everyman Foyer Gallery, Hampstead, London; 1975 St Blaise Gallery, Stockwell College, Bromley; 1983 Grass Roots Gallery, Durban, South Africa;  1987 Lizard Gallery, Farnham

 The Royal Scottish Academy; Royal Institute of Fine Arts; Society of Scottish Painters; Contemporary Scottish Art; Leicester Gallery; Redfern Gallery; St George’s; Royal Society of British Artists; London Group; New English Art Club; Brighton 1948; Senefelder Club Exhibitions;  Royal Institute of Oil Painters; National Society of Painters, Sculptors & Printmakers; Victoria & Albert Museum (1948: 150 Years of Lithography)
    

 
Product type    print -artists proof
Date of work    1966
How we know the date    the artist's widow
The last owner of the work    The artist's studio
How we know who the artist is    signed
How we know the subject    inscribed
School of painting    Modern British
Style of painting    Abstract
Approach    abstract
Dimensions (h x w x d) inches    23 x 18
Condition of work    very good
Recent restoration    No known restoration
Where exhibited   
Quantity available    1
Edition of    1
Item number    8067
So that you know how we have indexed this picture, below are the keywords we have used.    Click here to send us your suggestions of keywords for this picture

print -artists proof, Screen print, paper, Abstract grid structure, An abstract grid in bright primary colours surrounded by a circle of ovoid shapes, This screen print has been built up using a series of different coloured inks and paint with each colour being laid over the previous to form a picture. As the paints are laid down they change colour and form where they overlap creating new textures. Areas not being worked on are blocked out by stencils. Here it is easily seen how the application of a colour has a profound effect on the underlying one changing its nature dramatically, 00.00.1966, Modern British, Abstract, abstract, purple, blue, green, yellow
Click here to see all the  pictures by this artist on Room4art.com™
© 21st Century Gallery Ltd
Manager@room4art.com
Terms & Conditions About Us, Contact Us Technical Solutions Use of Site & Copyright Privacy Security Policy
Easy View
Search art by subject
Search art by size
Search art by colour
Search art by type
Search art by artist
Search art by price
Login
Register
Personalise site
ArtPoints™
Room4art Referral Programme™
Room4art Vouchers™
Inbox
Past searches
Last 5 finds
Buy Room4artVouchers™
Sample Room4artVoucher™
Shopping basket
How we work
15 day no quibble Returns & Refunds
All tips
Room4art beginners
How to use the site
Glossary
Art materials & techniques
Art types & periods
Choose & look after art
Art subjects
Links
Contact/retrieve account name or password
Contact/suggest a picture
Contact/suggest site improvement
Contact/bid for picture