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Back Street
Edward Brannan
approx. exposed area of image inside frame
8in h x 5in w
etching on paper
£140 framed
Item number 1721
A back street with a passage way beneath the row of houses Fine quality work showing the back area of a group of houses. The work was produced from a prepared copper plate that the artist would carry around until the right scene materialised. He then worked the waxed plate on the spot, taking it back to the studio for printing. We would refer you to the Glossary for a detailed description of the process of etching. The work is full of finely observed detail accentuated by hatching and the use of tone to indicate shadows as seen from the wooden fence. The etching is initialled in the plate and has full margins
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| About the artist
Born: 1888
Died: 1964
Brannan was a wonderful draughtsman who sketched his native Lincolnshire. He studied at the Lincoln School of art and was a regular exhibitor at the Royal Academy. His work is in the Usher Gallery in Lincoln and many private collections. His two sons Noel, and Peter were both professional painters. Read an account of this artistic family by Mavis Brannan, Edward's daughter-in-law at www.room4art.com/The-Artistic-Brannans.
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| Product type |
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print - final |
| Date of work |
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1920 |
| How we know the date |
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our estimate |
| The last owner of the work |
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artist's daughter-in-law |
| How we know who the artist is |
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initialled |
| How we know the subject |
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Artist's daughter-in-law |
| School of painting |
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Modern British |
| Style of painting |
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Impressionist |
| Approach |
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townscape study impression |
| Dimensions (h x w x d) inches |
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8 x 5 |
| Condition of work |
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very good |
| Recent restoration |
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No known restoration |
| Where exhibited |
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believed never exhibited |
| Quantity available |
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1 |
| Edition of |
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Between 1 and 10 |
| Item number |
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1721 |
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So that you know how we have indexed this picture,
below are the keywords we have used. 
print - final, etching, paper, Back Street, A back street with a passage way beneath the row of houses, Fine quality work showing the back area of a group of houses. The work was produced from a prepared copper plate that the artist would carry around until the right scene materialised. He then worked the waxed plate on the spot, taking it back to the studio for printing. We would refer you to the Glossary for a detailed description of the process of etching. The work is full of finely observed detail accentuated by hatching and the use of tone to indicate shadows as seen from the wooden fence. The etching is initialled in the plate and has full margins, 00.00.1920, Modern British, Impressionist, townscape, study, historical, impression, buildings, black |
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