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Sheep 1065 Sheep standing next to a farm building In the distance is another range of buildings with a weathercock visible... Buy  original affordable art online
Sheep
Harry Becker

approx. exposed area of image inside frame
18in h x 24in w
lithograph on paper

SOLD

Item number 1065

Sheep standing next to a farm building In the distance is another range of buildings with a weathercock visible

A super large lithograph of sheep. They are milling together creating an impression of movement. Becker's genius in Lithography and painting was to remove any extraneous detail and concentrate on the overall form of the subject. Here he has achieved a magnificent image both powerful and sympathetic.

Harry Becker was a recorder of social history and a man of the people who hated selling his paintings. Towards the end of his life he was actively buying back his works when ever possible. The Becker estate passed to his wife and then his daughter. When she died she left half his studio to the Lofthouses of Southwold who had championed Harry when he was a poor struggling artist , and the other half to an artist friend Kenneth Green. These paintings are from the Kenneth Green side of the family.

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About the artist

Born: 1865

Died: 1928

Harry Becker was born in Colchester of German immigrant parents, and spent most of his life in East Anglia, recording scenes of rural life in oil, watercolour, etchings and lithographs.

At the age of 14 he was sent to the Royal Academy Schools in Antwerp, then in 1884 to finish his training in Paris under the the painter Carolus Duran. During that time he came under the influence of the impressionists, adopting many of their techniques . He particularlyadmired Edgar Degas and elements of his influence can be observed in Beckers work. On his return to England he lived at the Minories, Colchester, painting landscapes and portraits in both watercolour and oil. In 1894 he moved to London, experiencing very hard times, often due to his unwillingness to sell his work. During this period he was supported by his wife who is the subject of a number of portraits during this period.

Eventually his Lithographs gained popularity and he began to earn enough money to return to Suffolk in 1913 and settled at Wenhaston, eventually moving to Darsham in 1926. He lived a solitary existence away from the mainstream of the art world as he eschewed it's commerciality, preferring to rise early with the farm workers and sketch them from life. He continued to produce Lithographs for clients such as the London Underground, one example of which was aimed to get more women working on the land during the war. His final years were spent trying to repurchase paintings he had sold in the past. He will be remembered for his great interest in the slow pace of rural life, men and horses working in in fields under huge skies, and the changing seasons.

 
Product type    print - final
Date of work    1910
How we know the date    our estimate
The last owner of the work    Kenneth Green and then by descent
How we know who the artist is    signed
How we know the subject   
School of painting    Modern British
Style of painting    Impressionist
Approach    study representative
Dimensions (h x w x d) inches    18 x 24
Condition of work    very good
Recent restoration    No known restoration
Where exhibited    believed never exhibited
Quantity available    1
Edition of    unknown
Item number    1065
So that you know how we have indexed this picture, below are the keywords we have used.    Click here to send us your suggestions of keywords for this picture

print - final, lithograph, paper, Sheep, Sheep standing next to a farm building In the distance is another range of buildings with a weathercock visible, A super large lithograph of sheep. They are milling together creating an impression of movement. Becker's genius in Lithography and painting was to remove any extraneous detail and concentrate on the overall form of the subject. Here he has achieved a magnificent image both powerful and sympathetic., Harry Becker was a recorder of social history and a man of the people who hated selling his paintings. Towards the end of his life he was actively buying back his works when ever possible. The Becker estate passed to his wife and then his daughter. When she died she left half his studio to the Lofthouses of Southwold who had championed Harry when he was a poor struggling artist , and the other half to an artist friend Kenneth Green. These paintings are from the Kenneth Green side of the family., 00.00.1910, Modern British, Impressionist, study, animal, farming, representative, farm buildings, sheep, black, white
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