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Tyneside
Edward Brannan
approx. exposed area of image inside frame
7in h x 9in w
aquatint on paper
£140 framed
Item number 1715
Headland and bay at Tynemouth with the Tynemouth priory ruins A lovely richly toned aquatint of Tynemouth priory, headland and bay. The use of a limited palette of 2 colours gives great depth and form to this tranquil scene. The work was produced from an incised copper plate that has been inked and printed in a press. We would refer you to the Glossary for a detailed description of the process of aquatinting. The picture has full margins Executed while the artist was resident in Northumberland.
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| About the artist
Born: 1888
Died: 1964
Brannan was a wonderful draughtsman who sketched his native Lincolnshire. He studied at the Lincoln School of art and was a regular exhibitor at the Royal Academy. His work is in the Usher Gallery in Lincoln and many private collections. His two sons Noel, and Peter were both professional painters. Read an account of this artistic family by Mavis Brannan, Edward's daughter-in-law at www.room4art.com/The-Artistic-Brannans.
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| Product type |
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print - final |
| Date of work |
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1920 |
| How we know the date |
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our estimate |
| The last owner of the work |
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artist's daughter-in-law |
| How we know who the artist is |
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artist's daughter-in-law |
| How we know the subject |
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Artist's daughter-in-law |
| School of painting |
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Modern British |
| Style of painting |
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Representational |
| Approach |
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seascape study representative |
| Dimensions (h x w x d) inches |
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7 x 9 |
| Condition of work |
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very good |
| Recent restoration |
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No known restoration |
| Where exhibited |
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believed never exhibited |
| Quantity available |
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1 |
| Edition of |
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Between 1 and 10 |
| Item number |
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1715 |
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So that you know how we have indexed this picture,
below are the keywords we have used. 
print - final, aquatint, paper, Tyneside, Headland and bay at Tynemouth with the Tynemouth priory ruins, A lovely richly toned ///aquatint/// of Tynemouth priory, headland and bay. The use of a limited palette of 2 colours gives great depth and form to this tranquil scene. The work was produced from an incised copper plate that has been inked and printed in a press. We would refer you to the Glossary for a detailed description of the process of aquatinting. The picture has full margins, Executed while the artist was resident in Northumberland., 00.00.1920, Modern British, Representational, seascape, study, representative, architectural, clouds, Tynemouth priory, black, grey |
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